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Various Artists - African Scream Contest 2A great compilation can open the gate to another world. Who knew that some of the most exciting Afro funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear, gut busting yelps, lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same
A great compilation can open the gate to another world. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.Ten years on, intrepid crate-digger Samy Ben Redjeb unveils a new treasuretrove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, it’s clear that African Scream Contest II is going to be every bit as joyous a voyage of discovery as its predecessor. And just as you’re trying to get off the canvas after this one-punch knock out, an irresistible Afro-ska romp with a more than subliminal echo of the Batman theme puts you right back there. Ignace De Souza and the Melody Aces’ “Asaw Fofor" would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it’s a total revelation.
The screaming does not stop there, in fact it’s only just beginning. But the strange thing about African Scream Contest II’s celebration of unfettered Beninese creativity is that it would not have been possible without the assistance of a musician who had been trained by the Russian secret services to "search and destroy" enemies of the country’s (then) Marxist-Leninist president Mathieu Kerekou.
Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined military band Les Volcans de la Capitale, Lokonon André vanished in a cloud of dust at Ben Redjeb’s behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he’d been given. The source of this Afrobeat bounty-hunter’s impressive people-finding skills - his training with the KGB - highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the 60s and 70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them.
Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends.
Like every other Analog Africa release, African Scream Contest II is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves. Looming large - alongside Lokonon André - in the cast of biopic-worthy characters to emerge from this seductive tropical miasma is visionary space-nerd Bernard Dohounso, who laid the foundations for Benin’s vinyl predominance by importing and assembling the turntables that would play the products of his Bond villain-acronymed pressing plant SATEL, a factory that would revolutionise the music industry in the whole region.
The scene documented here couldn’t have been born anywhere else but in the Benin Republic , and the prime reason for that is Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the African Scream Contest series and other compilations from that country were no less diverse than that army of different Gods. At once restless pioneers and masters of the art of modernising their own folklore, the mystic sound of Vodoun was their prime source of inspiration.
One especially irascible Vodoun-adept was Antoine Dougbe, who styled himself “The devil’s prime minister” while turning ancestral rhythms into satanically alluring modern beats. As Orchestre Poly-Rythmo songwriter Pynasco has observed sagely, “Evil is not elsewhere, evil extends into the house”. And African Scream Contest II is a gloriously cinematic road-trip through an undiscovered realm of music lore whose familiarity is every bit as thrilling as its otherness.
Written by Ben Thomson, March 2018
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Reviewed in the United States on April 16, 2026
★★★★★ 4
Light, Hydrating, and Non-Greasy — Perfect Everyday Body Oil
I purchased this body oil a little over a week ago, and overall, I have nothing but positive things to say about the product itself. The only complaint I have is with the packaging. When my order arrived, some of the oil had leaked in the box. The bottle doesn’t come with a separate cap—just a twist/lock feature that can easily come loose. Because of that, it must have unlocked during transit, causing a small amount of product loss. Luckily, it wasn’t bad enough for me to feel the need to return it.
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Reviewed in the United States on October 7, 2025
★★★★★ 5
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This smells AMAZING! The body butter smells amazing too but the oil smells so much like the Vanilla Amber Sand+Fog oil perfume. I’m so glad I have all three and went ahead and picked up some Vanilla body wash. My kids said I smelled like a bakery all day. I couldn’t stop sniffing my arm and clothes the scent sticks and such a wonderful combination to my perfumes that has vanilla notes. Also, makes your skin feel awesome after a shower. It’s not so greasy after application and gives your skin a beautiful glow in the light. BUY IT!
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Reviewed in the United States on May 25, 2026
★★★★★ 5
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This is the most luxurious feeling, delicious smelling oil I've ever used! I love this one and the cocoa butter one was well, leaves my skin feeling nourished and incredibly soft!
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Reviewed in the United States on April 23, 2026
★★★★★ 5
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Size: 6 Pairs - 6 Colors Assorted
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Reviewed in the United States on May 27, 2026