Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
Pay in installments of $440.50 with
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Description
Blackmagic URSA Broadcast G2Advanced HD and Ultra HD broadcast camera with B4 mount, broadcast controls, built in ND filters, extended video dynamic range, and ProRes or DNx recording onto SD, UHS II or CFast cards. The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to
Advanced HD and Ultra HD broadcast camera with B4 mount, broadcast controls, built in ND filters, extended video dynamic range, and ProRes or DNx recording onto SD, UHS-II or CFast cards.
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
Camera Features
Lens Mount
B4 2/3 inch installed
Active EF mount also included
Lens Control
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
Lens Correction
In-camera correction of color fringing when using compatible broadcast lenses.
Dynamic Range
13 Stops
Dual Native ISO
0dB and 18dB gain.
Sensitivity at 0dB Gain
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
additional 1.1 stop light loss using 4K B4 mount.
Signal to Noise Ratio
64.62dB for 2160p
Ultra HD scaled from 5.3K
Built in ND Filters
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
Screen Dimensions
4 inch
Screen Type
LCD capacitive touchscreen.
Controls
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
ProRes Shooting Resolutionsand Frame Rates
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3Kwindowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
H.265 Shooting Resolutionsand Frame Rates
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
H.264 Shooting Resolutionsand Frame Rates
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
Blackmagic RAW Shooting Resolutionsand Frame Rates
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
1920 x 1080 (HD) up to 150 fps
Project Frame Rates
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Metadata Support
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
SDI Video Inputs
1
SDI Video Outputs
1
SDI Monitor Outputs
1
SDI Rates
1.5G, 3G, 6G, 12G.
Analog Audio Inputs
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Reference Inputs
Tri-Sync/Black Burst/Timecode.
Lens Control
1 x 12-pin Hirose Broadcast Lens Connector
Remote Control
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Computer Interface
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.
Audio
Microphone
Integrated stereo microphone.
Built in Speaker
1 x mono speaker.
Streaming
Direct Streaming
Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.
Streaming Platforms
YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
Standards
SD Video Standards
None
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
SDI Audio Sampling
48 kHz and 24 bit
Media
Media
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Media Format
Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Media Page
Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.
Supported Codecs
Codecs
Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
Control
External Control
Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
Color Corrector
Color Corrector
DaVinci YRGB.
Talkback and Tally
Talkback
SDI Channels 15/16 and iPhone headset.
Live Tally Indicator
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
Storage Features
Storage Type
2 x CFast 2.0
2 x SD UHS‑II cards
1 x high speed USB‑C expansion port for external media.
2.5 inch SSD using optional URSA Mini Recorder
Storage Rates
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s
5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 - 248 MB/s
Blackmagic RAW 5:1 - 149 MB/s
Blackmagic RAW 8:1 - 94 MB/s
Blackmagic RAW 12:1 - 63 MB/s
Blackmagic RAW Q0 - 186 to 371 MB/s
Blackmagic RAW Q1 - 125 to 297 MB/s
Blackmagic RAW Q3 - 84 to 213 MB/s
Blackmagic RAW Q5 - 51 to 125 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s
Blackmagic RAW 5:1 - 106 MB/s
Blackmagic RAW 8:1 - 67 MB/s
Blackmagic RAW 12:1 - 45 MB/s
Blackmagic RAW Q0 - 133 to 265 MB/s
Blackmagic RAW Q1 - 89 to 212 MB/s
Blackmagic RAW Q3 - 60 to 152 MB/s
Blackmagic RAW Q5 - 36 to 89 MB/s
3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
H.265 SDI - 12.3 MB/s
H.265 High - 10.8 MB/s
H.265 Medium - 7.8 MB/s
H.265 Low - 3.2 MB/s
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
H.264 SDI - 7.0 MB/s
H.264 High - 5.6 MB/s
H.264 Medium - 3.2 MB/s
H.264 Low - 1.8 MB/s
Blackmagic RAW 3:1 - 19 MB/s
Blackmagic RAW 5:1 - 12 MB/s
Blackmagic RAW 8:1 - 7.8 MB/s
Blackmagic RAW 12:1 - 5.2 MB/s
Blackmagic RAW Q0 - 23 to 47 MB/s
Blackmagic RAW Q1 - 16 to 37 MB/s
Blackmagic RAW Q3 - 10 to 27 MB/s
Blackmagic RAW Q5 - 6 to 16 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Recording Formats
Apple ProRes 3840 x 2160 and 1920 x 1080 with film,video or extended video dynamic range or custom 3D LUT.
H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.
H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
Software
Software Included
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Blackmagic Cloud
Compatibility
Blackmagic Cloud and clip sharing features compatible with and DaVinci Resolve 18.6 or later.
Sharing
Integrated Login to Blackmagic Cloud for sharing to a DaVinci Resolve project.
Automatic Media Sharing
Captured media automatically uploads to a Blackmagic Cloud DaVinci Resolve project.
Manual Media Sharing
Select recorded clips or files manually share to a Blackmagic Cloud DaVinci Resolve project.
Upload Clips
Proxies Only or Originals and Proxies.
Power Requirements
Power Supply
1 x External 12V DC 100W power supply with 100 - 240V AC 50/60Hz IEC C14 input.
External Power Input
1 x 4-pin XLR port for external mains power supply or battery use.
1 x 12-pin Molex connector under rear battery plate.
Power Output
+12V 4-pin XLR regulated output on side of camera
+12V D-Tap regulated output on VLock battery plate
Power
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
Accessories
Optional Accessories
Blackmagic URSA Viewfinder
Blackmagic URSA Studio Viewfinder
Blackmagic Camera Fiber Converter
Blackmagic Studio Fiber Converter
Blackmagic URSA Mini Pro PL Mount
Blackmagic URSA Mini Pro F Mount
Blackmagic URSA Mini Mic Mount
Blackmagic URSA Mini Recorder
Blackmagic URSA Gold Battery Plate
Physical Specifications
Environmental Specifications
Operating Temperature
0° to 40°C (32° to 104°F)
Storage Temperature
-20° to 45°C (-4° to 113°F)
Relative Humidity
0% to 90% non-condensing
What's Included
Blackmagic URSA Broadcast G2
4K B4 lens mount installed
B4 turret dust cap
EF Mount with dust cap
VLock Battery Plate installed
URSA 12V 100W power supply
URSA Mini Shoulder Pad
URSA Mini top handle & rubber stopper
Viewfinder mounting plate
2 x 1/4 inch baseplate screws
2 x long 1/4 inch top handle screws
2 x short 1/4 inch top handle screws
8 x EF Mount screws
4 x VLock plate spare screws
Welcome wallet with QR code for camera software download
DaVinci Resolve Studio wallet
DaVinci Resolve Studio activation key
Warranty
1 Year Limited Manufacturer’s Warranty.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 8 reviews
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Product Reviews
★★★★★ 5
Easy to use! No more hand cranking.
If you like the ease of an electric can opener, but don’t have room to store it or don’t want to drag it out when you need to use it, this is for you. I like a handheld can opener, but would get so frustrated trying to use it and turn the handle. This can opener is amazing and so easy to use. Just attach to can and push a button. It starts turning on its own and when it is done it stops. You lift it up and the lid comes off cleanly. It is rechargeable so need to worry about batteries. It tucks away in a drawer nicely. I bought my mom one too. She has arthritis in her hands so thought this would be perfect for her.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2026
★★★★★ 5
Smooth edges better than twisting
Works a lot better than the crank style and the counter top electric and you can use the lid to reseal the can if you don't use the whole thing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2026
★★★★★ 2
Worked for only 4 months. Now produces metal shards. Dangerous
Pros: Can be used with one hand. I bought this to have after surgery that left me without use of one arm for a few months. The light blinks when you need to charge it. Only needs a 2-3 min charge for enough juice to open a can.
Cons: IT QUIT CUTTING CORRECTLY AFTER 4 MONTHS. I now have to use both hands to hold it in place to get it to latch on to the can. It also requires a few rotations around the top to cut through the seal, resulting in METAL SHARDS! The metal shards are super sharp and almost invisible. I stabbed myself with one enough to draw blood. This is dangerous as the metal could fall into the food when pouring from the can.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2026
★★★★★ 1
Can opener
This product does not work well! It actually doesn't work at all!! Will not cut thru can lids at all. Very disappointing to say the least. I purchased to make things easier only to be left not being able to open dinner 😕. Would not recommend to anyone!!!
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Reviewed in the United States on May 15, 2026
★★★★★ 4
Can opener
It doesn't shut off by itself when done and doesn't shut off when I push the button, so after a while it will shut off but when it wants too after you take it off the can ,like 30 seconds. But I do like the way it cuts, a clean cut and lid removal nice.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 2, 2026
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