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OLED Draagbare Monitor 2K 13.3'' Touchscreen, USB C Mobiel Scherm, 54000:1, QHD 100% DCI-P3 1Ms Voor Laptop, PC, Gameconsoles, Enz.Uitstekende draagbare OLED monitor: de Magedok 13,3 inch 2K draagbare monitor maakt gebruik van Samsung OLED scherm, analyse en beeldverbetering op dezelfde manier als het menselijk oog zich concentreert op meeslepende diepte en realisme als gevolg van ultra gedetailleerde en heldere schaduw, lichtpieken geen details meer overweldigd door schaduw of verloren in geblazen lichten. Verbluffende 2K QHD resolutieWordt geleverd met native 2K (2560 x 1440)
- Uitstekende draagbare OLED-monitor: de Magedok 13,3 inch 2K draagbare monitor maakt gebruik van Samsung OLED-scherm, analyse en beeldverbetering op dezelfde manier als het menselijk oog zich concentreert op meeslepende diepte en realisme als gevolg van ultra-gedetailleerde en heldere schaduw, lichtpieken - geen details meer overweldigd door schaduw of verloren in geblazen lichten.
- 【Verbluffende 2K QHD-resolutie】Wordt geleverd met native 2K (2560 x 1440) ultra-heldere resolutie, 2K draagbare monitor, biedt uitzonderlijke, scherpe en meeslepende beelden met detail en helderheid. De hoge contrastverhouding van 54.000:1 maakt de weergave van kleuren op puur zwart mogelijk. 60 Hz beeldherhalingssnelheid met HDR-technologie, biedt een ongeëvenaard contrast en een nauwkeurige weergave.
- 【10-punts touchscreen met OSD-menu】 Het touchscreen van de draagbare monitor ondersteunt een veel nauwkeurigere en gevoeligere aanraking, plug and play, geen extra driver nodig, sluit gewoon de USB-kabel aan op je apparaat om de touch-functie te bereiken. Met een kijkhoek van 178 graden is het praktisch voor studie, werk of entertainment, om je leven beter te verrijken! Het ondersteunt geen Mac, besturingssysteem.
- Veelzijdige digitale connectiviteit: met mini-HDMI, USB C, 3,5 mm hoofdtelefoonuitgang en OTG-uitgang maakt deze touchscreen-monitor comfortabeler om je apparaat aan te sluiten. Het favoriete draagbare scherm voor zakenreizen of thuiswerken.OPMERKING: Zorg ervoor dat het touchscreen voldoende stroom heeft en correct is aangesloten op je compatibele apparaat via de type C- of mini-HDMI-poort, anders werkt het niet.
- Slank, licht en draagbaar: het dunste deel van de USB C Tragbarer monitor is slechts 10,5 mm en weegt slechts 0,75 kg, eenvoudig in de rugzak te stoppen. Het lichte en compacte formaat is perfect om hem mee te nemen op zakenreis, en de touchscreen had een leren hoes als standaard, het is erg handig bij het bekijken van video's of het spelen van games.
Magedok OLED-scherm 2K 13,3 inch draagbaar touchscreen, USB C mobiele monitor, 54.000:1, Freesync QHD IPS-scherm, 100% DCI-P3 1ms draagbare monitor voor pc, smartphone, spelconsoles enz.
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4.4 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence.
Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons:
--the shifting finger-pointing at various groups;
--the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and
--Horsmanden's bizarre behavior toward Mary Burton.
Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability.
Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park?
One cannot make up this stuff, it is too real so it must be history at its best.
And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known.
If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge.
I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down?
I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
★★★★★ 3
New York Burning
Format: Paperback
.
This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation:
"In 1741 there was a slave uprising in New York City."
Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic.
Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written.
Read this book, learn from it. Expect to complain about it.
Kim Burdick
Stanton, DE
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Reviewed in the United States on November 7, 2014
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