SKU: 40163580289

KC62

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KC62KEF KC62 De grootste kleine subwoofer: Klein van stuk; 1000 Watt. Als je ooit hebt gedacht: Ik wil chte bas, maar ik ga niet zon lompe zwarte kubus midden in mijn woonkamer zetten, dan is de KC62 precies waar je op wachtte. Deze sub is letterlijk compact (246 256 248 mm), maar onder die afgeronde aluminium huid schuilt 1. 000 watt RMS aan spierballen en een brein vol slimme techniek. Het resultaat is geen boem boem doos, maar diep, strak en

KEF KC62 – De grootste kleine subwoofer: Klein van stuk; 1000 Watt.

Als je ooit hebt gedacht: “Ik wil échte bas, maar ik ga niet zo’n lompe zwarte kubus midden in mijn woonkamer zetten,” dan is de KC62 precies waar je op wachtte. Deze sub is letterlijk compact (246 × 256 × 248 mm), maar onder die afgeronde aluminium huid schuilt 1.000 watt RMS aan spierballen en een brein vol slimme techniek. Het resultaat is geen boem-boem-doos, maar diep, strak en gecontroleerd laag dat muziek groter maakt, films filmischer en games een tikkie verslavend. Je voelt de kick, je hoort de textuur, en je interieur blijft precies zo rustig als je het bedoeld had.

Uni-Core®: twee woofers, één geniale motor

Het geheim van die “hoe-kan-dit-zo-klein-zijn?”-ervaring heet Uni-Core®. KEF schuift twee 6,5 inch woofers in een force-cancelling opstelling in één motorsysteem. Daardoor kan de kast klein blijven, maar is de slag (en dus het laag) groot en gecontroleerd. Geen kasttrillingen, geen modder, wél sublaag tot 11 Hz met de precisie van een meetlat. In de praktijk betekent dat: contrabas met hout, elektronische sub die rolt in plaats van smeert, en film-effecten die je bank subtiel laten leven zonder je ruimte te domineren.

Vermogen met manieren – 1.000 W die weet wat ‘ie doet

Vermogen is pas interessant als het onder controle staat. De KC62 stuurt elke driver met een eigen 500 W Class-D versterker en houdt alles koelbloedig in het gareel met Smart Distortion Control en de Music Integrity Engine®. Dat lees je als marketing, maar je hoort het als rust: snelle stops, strakke starts, geen nagebrom, geen opgeblazen resonanties. Zet een track met droge kick op, of een soundtrack met lang aanhoudend laag; de KC62 duwt waar het moet en verdwijnt weer zodra het kan. Dat is precies de finesse die veel grotere subs missen.

Past overal – en klinkt overal goed

Subplaatsing is vaak gedoe. Hier niet. De KC62 heeft vijf Room Placement-presets die het laag aanpassen aan de plek: Free Space voor vrijstaand, Wall tegen de muur, Corner in de hoek, Cabinet als ‘ie écht in een kast moet, en Apartment als je buren óók nog vrienden moeten blijven (roll-off onder 40 Hz zodat het ultralaag minder door muren kruipt). Je kiest de preset, zet de crossover in de buurt van je hoofdset en je zit meteen 80% goed. Later finetune je op gehoor. Zo hoort plug-and-play te zijn.

Bedraad, draadloos, 2.1 of home cinema – jij kiest

Aansluiten is net zo flexibel. Je kunt via RCA/LFE aan je AV-receiver, via speaker-level aan een stereoversterker zonder sub-uitgang, en weer doorlussen via de line-out met High Pass Filter (40–120 Hz of bypass) zodat je hoofdset minder laag hoeft te doen. Liever geen kabels door de kamer? Met de KEF KW1 maak je de subwoofer draadloos. Het werkt allemaal moeiteloos samen en maakt de KC62 net zo geschikt voor een strakke 2.1-stereo als voor een compacte home-cinema.

De ideale partner voor LSX II en LS50 (Wireless) II

Waar de KC62 écht excelleert, is in compact high-end. Combineer ’m met LSX II op een dressoir: je bureau- of woonkamer set groeit ineens een maat. Of hang ’m naast een set LS50 Meta of LS50 Wireless II: soundstage wordt dieper, stemmen krijgen body, en piano en percussie klinken “echt”. En het mooie: het blijft allemaal chic en klein. Geen torens, geen kabelzooi; wél het gevoel dat je systeem twee prijsklassen is gestegen.

Muziek, film, gaming – drie werelden, één sub

Voor muziek voegt de KC62 geen “extra bas” toe; hij maakt de onderlaag zichtbaar. Denk aan een contrabas die niet alleen laag is, maar hout heeft. Denk aan techno die geen muur vormt, maar een golf. Voor films krijg je impact zónder rommel: explosies die knallen en meteen stil zijn, rommel die rolt zonder te dreunen. En in games gebeurt er iets leuks: ambiance krijgt massa, voetstappen krijgen gewicht, en omgevingen voelen groot – precies dat beetje grijswaarde tussen “geluid” en “beleving”.

Zo stel je ’m lekker snel goed af

Zet de KC62 naast of net achter je linker- of rechterspeaker. Kies Wall of Corner als preset (past meestal), zet de crossover rond 70–90 Hz bij LS50 of 90–110 Hz bij LSX II en draai het volume tot je merkt dat de sub aanvult in plaats van opvalt. Als je bij lage volumes niets mist en bij hogere volumes niets bromt, zit je precies goed. Later kun je altijd nog spelen met het High Pass Filter op de line-out of de stand Apartment als je beneden buren meeluisteren en vervelend zijn.

Lifestyle: Voor wie nét dat beetje meer wil

Je kent het gevoel wel: je luistert naar je favoriete album of kijkt een film, en denkt – er mist iets. Niet in detail of helderheid, maar dat kleine beetje diepte, dat fundament dat je laat voelen in plaats van alleen horen.
Vloerstaanders had je kunnen nemen, maar je koos bewust voor compact en stijlvol – een set die in je woonkamer past zonder dat het voelt alsof je in een studio woont. En dat is precies waarom de KC62 zo briljant is.

Deze sub voegt dat ontbrekende laag toe — niet te veel, precies genoeg. Je hoort het niet apart, je voelt het gewoon onder je muziek. De stem krijgt meer warmte, de piano klinkt groter, en in films lijken muren even te verdwijnen. En dat allemaal zonder dat je interieur wordt gedomineerd door grote zwarte blokken of kabels die door de kamer kruipen.

Gebouwd met die herkenbare KEF-kwaliteit: mooi, muzikaal en verfijnd.

De KC62 is een echte high-end subwoofer in een compact design, gebouwd met die herkenbare KEF-kwaliteit: mooi, muzikaal en verfijnd. Hij voegt body en diepte toe aan je systeem, maar blijft zelf bescheiden aanwezig — tot je hem aanzet. Dan begrijp je waarom zoveel mensen zeggen: dit is precies wat mijn set nog miste.

De KEF KC62 is niet zomaar een subwoofer – het is een designobject dat moeiteloos samensmelt met elk interieur. De behuizing is volledig vervaardigd uit geëxtrudeerd aluminium, een materiaal dat niet alleen zorgt voor een stevige, trillingsvrije constructie, maar ook bijdraagt aan de premium uitstraling. De afgeronde randen en gewelfde kast geven hem een elegante, moderne look die ver afstaat van de typische “houten kubus” die je gewend bent bij subwoofers. Met zijn ultracompacte afmetingen van 24,6 × 25,6 × 24,8 cm (h × b × d) is hij kleiner dan een schoenendoos, maar straalt hij de klasse van high-end audio uit.

De KC62 is verkrijgbaar in drie prachtige afwerkingen: Carbon Black voor een tijdloos, ingetogen karakter, Mineral White voor een moderne, lichte stijl en Titanium Grey voor wie net dat industriële accent wil. Elke uitvoering is afgewerkt met een subtiele matte glans die luxe uitstraalt zonder opzichtig te zijn. Of je hem nu naast je speakers zet, discreet onder een kast plaatst of juist in het zicht laat staan — de KC62 voelt overal op zijn plek.

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SKU: 40163580289

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4.7 ★★★★★
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K. Ryan Kane
Birmingham, US
★★★★★ 4
I enjoyed this book immensely
Format: Paperback
A pioneering book! It breaks new ground and proposes new ideas that are plausible. I enjoyed this book immensely. But with every pioneering book comes beliefs that may not always be what they seem. I withheld one star because there are some ideas proposed that I found hard to believe entirely. I like the fact that Dr. Schoch includes Biblical passages but I don't agree with the majority of his interpretations. For example, Ezekiel's writings and visions are not about shapes he saw in the sky that Dr. Schoch thinks are from solar outbursts or auroral displays. Instead, most of those are visions he had of the "Last Days." But he didn't know exactly what he was seeing so he did his best to describe the things he saw. The other point I would like to make is that not all of the glyphs from thousands of years ago could be describing auroral displays or solar outbursts. I would imagine that if solar flares were racing toward Earth, (1) there wouldn't be enough time to look at them and study their shapes because you would be racing for cover, (2) they would be too bright whereas nobody could actually look at them long enough to study their shapes even if they had modern sunglasses, and (3) there would be a lot more evidence of scorched and burned areas of Earth so that it would be more obvious if solar activity was what had set society back thousands of years. But I don't recall Dr. Schoch theorizing about these things. Overall the book is great and I think he right about a lot of things. Highly recommended!
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Reviewed in the United States on October 1, 2014
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Carol E.
Fort Morgan, US
★★★★★ 5
WHY YOU SHOULD BUY THIS BOOK
Format: Paperback
Forgotten Civilization by Dr. Robert Schoch Why should you buy this book? 1) You're already looking at it so you must have some interest in this topic. 2) Dr. Schoch has a great ability to take his, or others, theories and support them with well researched scientific data. This is helpful to those of us who are curious about alternative explanations but are still dependent on the "scientific thinking" paradigm. (He doesn't make statements like "when humans bred with aliens in 20,823 BC..."). 3) He always makes you think about conventional wisdom in a new way. For instance, in this book - the age of Easter Island statues (moai). How DID they get buried so deeply when they (conventionally) only go back to a South Pacific Polynesian settlement times?? I have stood in front of the moais on Easter Island and read many books on it's history and it never occurred to me to question the timeline. It takes that unique geologist perspective which Dr Schoch brings to his writings. 4) He introduces you to other researchers or writers that you will want to know more about. Like Thomas Brophy, Anthony Peratt, Paul LaViolette and many others. 5) The Appendices. Some excellent information on multiple topics included at the end of the book. 6) Because Dr. Schoch has gone where many others SHOULD go - against conventional archeological/historical wisdom which makes no sense. His initial theories on the age of the Sphinx as a young academic were very daring and absolutely correct. The geological community had no problem with his ideas - but Egyptologists did, and they have been after him ever since. Choosing a controversial research path has meant some changes in his academic career I'm sure, as "Academics," for all it's spouting of tremendous support for new knowledge and research is very much mired in politically correct concrete. (Go to Egypt and look for yourself. Even a casual tourist will see how wrong standard academic theories are currently). 7) I guarantee you will learn new and interesting things that just may change your life - or at the very least, change the way you think about the future. -C. Engel
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Reviewed in the United States on September 27, 2012
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Kindle Customer
Massapequa, US
★★★★★ 3
A Book About Everything and Nothing
This was a great idea for a book and it's too bad that Mr. Schoch decided not to write it. Some of the ideas about solar events, the way the plasma manifested in the sky as it relates to ancient petroglyphs is fascinating. Mr. Schoch spent very little time in this space however (in spite of the book's title). Instead we got a brief, incomplete overview coupled with a survey of every piece of fringe science out there from the memory of water, to quantum entanglement to telepathy. There was the obligatory chapter on his work with the Sphinx of course. It always comes back to the Sphinx with this guy. Not an original thought in the book, but there was plenty of promotion of fringe science, especially the work of Paul LaViolette whose confusing and widely ignored and self-published work got several chapters. I gave the book 3 stars for its entertainment value and docked it two for not staying on point. This is still a great and fascinating subject. I wish Mr. Schoch thought so too.
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Reviewed in the United States on March 30, 2015
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Chongyean Cheang
Cuba, US
★★★★★ 5
An amazing book
Format: Paperback
Silent Spring by Rachel Carson is one book that has opened our minds to how much has gone wrong in the world. It is an immensely powerful scientific book for general readers packed full of verifiable research and data. Rachel Carson wrote the book about the widespread use of chemical pesticides that have wreaked havoc upon the water, the atmosphere, the soil, and the earth since the experiments conducted during World War II. Carson begins the book with a short chapter containing an imaginary scenario of a quiet American countryside in spring devoid of birds and other wildlife. Carson then asks a question which the book attempts to answer: "What has already silenced the voices of spring in many towns in America?" (Carson 1962) The other sixteen chapters fully detail how the use of chemical pesticides and herbicides impacts the environment and silences living species when people do not pay attention. In chapter two she makes the point that humans can alter nature. "The most alarming of all man's assaults upon the environment is the contamination of air, earth, rivers, and sea" (Carson 1962). The author demonstrates that people try to get a quick fix for their small problems but are often unaware of the consequences of their quick fix solutions. "We use the chemicals to kill weeds, insects, and pests…… They should not call insecticides but biocides" (Carson 1962). In the next chapter, "Elixirs of Death," she introduces chemicals which can harm health such as chlorinated hydrocarbons (e.g., DDT), organic phosphates, and other hydrocarbons that are more toxic than DDT such as dieldrin, Aldrin, and endrin. She tells the story of a child and family dog that was suddenly killed by the use on an endrin cockroach spray. When the chemicals are combined with one another, it leads to an unpredictable and harmful result in the atmosphere and living creatures. Carson continues in chapter 4 and five by describing the effect of pesticides in water and soil. Even though low concentrations of insecticide in the water is not detrimental, a habit of putting poison in water builds up and ends up passing into fishes, animals, and humans. DDD and DDE, the toxaphenes used in clear lakes destroy the human adrenal cortex (Carson 1962). Even though the chemicals had been deposited years ago, it was carried on in living species from generation to generation. Similarly, soil can be destroyed if it contains too many pesticides and these chemicals may remain in the ground for an extended period. The following chapter of the book mentioned that there are ways to avoid using insecticides to kill insects such as introducing different species of plants or by introducing plant-eating insects. Carson continues her analysis of the life-threatening consequences of pesticides on the surroundings in chapters 7, 8 and 9. She mentions that the entire population of living creatures, including birds and fish, was killed in sprayed areas. "Aldrin, one of the deadliest of all chemicals, was chosen to kill the Japanese beetles... After a few reports came in of dead birds everywhere…. Dogs and cats sickened" (Carson 1962). The author also provides excerpts of letters from people who lived in the areas saying that these pesticides changed the landscape of the areas in which they lived. One woman reported that the spraying of these chemicals had wiped out robins, chickadees, and cardinals. Other women from Alabama said the result of fire-ant spraying made the birds disappear overnight. Other people in Mississippi saw no land birds for miles after spraying. The author ends the chapter with the question, "Isn't it possible to help the balance of nature without destroying it? Who has the right to decide about the use of chemicals?" Chapter 10 details the death of wildlife when aerial spraying is conducted. She comments on the lack of precaution and foresight being used by the pesticide industry. "No research was done before the launch of million acres aerial campaign" (Carson 1962). It shows the lack of caution and general unawareness of the consequences of their actions. The following chapter examines the evidence that the widespread use of poisonous substances can cause the slow, prolonged destruction of human health. For example, she mentions, "DDT has been found everywhere in processed food and cooked restaurant meals" (Carson 1962). The cumulative effect of using different chemicals is that it is incorporated into our food. It is unpredictable how much it can cause harm. A huge amount of poison is everywhere; people exist in their day-to-day lives without knowing that it is even there. Carson calls it "the age of poison" (Carson 1962). Chapters 12, 13 and 14, Carson directs examines the chemicals harmful to human tissues and organs. Back in the days, we lived in fear of infectious diseases such as smallpox and cholera. Now, we are living with and facing new diseases that Carson calls "the environmental disease." The author gives many examples of the sources of the chemicals and how it reacts and is incorporated into the body. "Dieldrin can have long-term effects such as loss of memory, insomnia, nightmares, and mania" (Carson 1962). At the end of chapter 14, she mentions the statistic that one in every four Americans is developing cancer. The possible explanation is that the sale of chemicals in the market is an accepted part of our lives. She describes how she was slowly dying of cancer as she finished this book. In the next three chapters, Carson describes how insects have developed the ability to reproduce and resist the effects of the sprays. In other words, like the title of Chapter 15 states, "nature fights back." Finally, the final chapter, "The Other Road" presents alternatives to chemical control of pests. Chemical "solutions" should be stopped. Instead, an alternative way is biological solutions based on knowledge of living organisms. She gives examples such as insect sterilization, insect venom as a poison, insect killing microorganisms, and ultrasonic sound to kill mosquito larvae. "The choice, after all, is ours to make" (Carlson 1962). Overall, Silent Spring is all about how the world has changed because of our misguided actions of using harmful chemical pesticides in nature. The book opens our eyes and minds to the fact that these synthetic pesticides have poisoned all living species, destroyed the environment, and contaminated the world. I would recommend this book to all people that are interested in how much the earth is contaminated by humans and want to find a way to help keep the balance of nature without destroying it.
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Reviewed in the United States on February 12, 2018
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Lisa D.
Phoenix, US
★★★★★ 5
Book
Format: Paperback
Enjoyed the book
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Reviewed in the United States on April 27, 2026

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