SKU: 39131803363

var dh 69080 derailleurhanger bh bmc canyon decathlon focus stevens

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Description

var dh 69080 derailleurhanger bh bmc canyon decathlon focus stevensDeze VAR derailleurhangerderailleurhanger, koudgesmeed uit 6061 aluminium, is licht van gewicht en eenvoudig te monteren. Hij wordt geleverd met bouten en schroeven en is verpakt in een blisterverpakking. Compatibel met de volgende frames: BH Carbon Cross, 2010 2010 BH G4 Speedrom, 2008 2012 BH G4 Speedstar, 2009 2009 BH Global Concept, 2009 2009 BH RX1, 2010 2012 BH Speedrom, 2008 2011 BH Speedstar, 2008 2009 Bianchi Zolder schijf, 2015 2015 Blauwe

DezeΒ VAR derailleurhangerderailleurhanger, koudgesmeed uit 6061 aluminium, is licht van gewicht en eenvoudig te monteren.
Hij wordt geleverd met bouten en schroeven en is verpakt in een blisterverpakking. Compatibel met de volgende frames:

BH Carbon Cross, 2010-2010
BH G4 Speedrom, 2008-2012
BH G4 Speedstar, 2009-2009
BH Global Concept, 2009-2009
BH RX1, 2010-2012
BH Speedrom, 2008-2011
BH Speedstar, 2008-2009

Bianchi Zolder schijf, 2015-2015

Blauwe Axino, 2011-2011
Blauwe Axino AL, 2013-2013
Blauwe Axino EX-W, 2013-2013
Blauwe Norcross EX, 2011-2011
Blauwe Norcross serie
Blauwe Norcross SL, 2011-2011
Blauwe RD 1.0, 2011-2011
Blauw RD 1.1, 2011-2011
Blauw RD 1.2, 2011-2011
Blauw WRD 1.1, 2011-2011

BMC Revox, 2013-2013

Halvemaan EXS

De Rosa Avant, 2009-2009
De Rosa King 3, 2009-2009
De Rosa King 3RS, 2011-2011
De Rosa Pulsante, 2012-2012
De Rosa R838, 2012-2013
De Rosa R848, 2011-2011

DiamondBack Airen 3 Koolstof, 2014-2014
DiamondBack Century 5 carbon Di2, 2014-2014
DiamondBack Lux, 2008-2008
DiamondBack Lux Sport, 2008-2008
DiamondBack Podium 4, 2008-2008
DiamondBack Podium 5, 2008-2012
DiamondBack Podium 6, 2010-2012
DiamondBack Podium 7, 2010-2012
DiamondBack Steilacoom RCX Carbon Pro Disc, 2014-2014

Ellsworth Roots, 2011-2013

Fondriest R10, 2010-2012
Fondriest R20, 2012-2015
Fondriest R7, 2011-2011
Fondriest RC6, 2010-2011
Fondriest RP, 2011-2011
Fondriest RP3, 2010-2011
Fondriest SLK, 2010-2010
Fondriest TF3, 2010-2015
Fondriest TF3 1.2, 2015-2015
Fondriest TF3 SLK, 2010-2010
Fondriest TFD, 2015-2015

Fuji Altamira, 2011-2015
Fuji CCR, 2008-2009
Fuji CCR 2, 2008-2008
Fuji DSR, 2011-2011
Fuji Finest 1.1, 2013-2015
Fuji RC Pro, 2010-2010
Fuji Roubaix 1.3, 2013-2013
Fuji Sihouette, 2008-2008
Fuji SL1, 2008-2000
Fuji SL2, 2011-2011
Fuji SLM, 2009-2001
Fuji Sportif, 2013-2013
Fuji SST, 2009-2009
Fuji Supreme, 2009-2009

Ghost Nivolett, 2015-2015

GT Carbon, 2007-2007
GT GTR-serie, 2011-2015
GT GTS Comp Sora
GT GTS Elite
GT GTS Expert Tiagra
GT Zaskar, 2013-2013

Haibike Light SE One, 2008-2008
Haibike Light SE Twee, 2008-2008
Haibike Stijging, 2008-2008

Ideale Delta koolstof, 2008-2008
Ideal Stage comp 105, 2014-2014
Ideal Stage comp Tiagra, 2014-2014
Ideal Stage comp/pro, 2015-2015
Ideal Stage Team 105, 2015-2015
Ideal Stage Team Ultergra, 2015-2015
Ideal Stage Team Ultergra D12, 2015-2015

Jan Janssen Blade, 2012-2015
Jan Janssen Edge, 2009-2015
Jan Janssen Quadra, 2009-2011
Jan Janssen Sonic, 2009-2015

KHS Kruis, 2015-2015
KHS Vlieger 700, 2007-2007
KHS Flite 750, 2013-2013
KHS Flite 850, 2013-2013
KHS Flite 900, 2012-2013
KHS Vlieger 950 D12, 2012-2012
KHS Vlieger Team, 2012-2012
KHS Six Fifty 500, 2015-2015
KHS Urban Xcel, 2015-2015

Koga Terraliner Carbolite, 2011-2012
Koga Miyata Granracer, 2007-2007
Koga Miyata Terraliner carboliet, 2010-2010

Kuota Kalibur

Marin Cortina, 2013-2014
Marin Highway One, 2012-2013
Marin Lombard Elite, 2015-2015
Marin Ravenna T3, 2012-2013
Marin San Marino, 2012-2013
Marin Stelvio, 2009-2010
Marin Verona, 2009-2010

Raleigh Capri Carbon, 2012-2014
Raleigh Capri serie, 2012-2012
Raleigh Militis 1, 2012-2012
Raleigh Militis 2, 2012-2013
Raleigh Revenio, 2012-2012
Raleigh Revenio 2.0, 2013-2013
Raleigh Revenio Carbon 3, 4, 2014-2014
Raleigh RXC, 2012-2012
Raleigh RXC Pro, 2012-2012
Raleigh RXC Pro Disc, 2014-2014

Redline Conquest Disc, 2014-2014
Redline DS1, 2013-2013
Redline DS2, 2013-2013
Redline RA1, 2013-2013

Ridley Excalibur, 2009-2012
Ridley Fenix, 2013-2013
Ridley Helium, 2010-2012
Ridley Limba, 2008-2009
Ridley Liz, 2013-2013
Ridley Orion, 2010-2011
Ridley Orion Ultegra, 2011-2012
Ridley Trail Killer 9.8
Ridley X-Fire, 2010-2012

Rocky Mountain 50 RC, 2009-2010
Rocky Mountain 70 RSC, 2010-2010
Rocky Mountain 90 RSL, 2010-2010
Rocky Mountain 90 RSL, 2011-2011
Rocky Mountain Zuurstof 10, 2008-2011
Rocky Mountain Zuurstof 30, 2008-2011
Rocky Mountain Zuurstof 30 RC, 2008-2011
Rocky Mountain Zuurstof 50, 2008-2011
Rocky Mountain Zuurstof 50 RC, 2008-2011
Rocky Mountain Prestige, 2009-2011
Rocky Mountain Solo, 2008-2009
Rocky Mountain Solo 70CR, 2011-2011
Rocky Mountain Solo 90RSL, 2011-2011
Rocky Mountain Solo Carbon, 2011-2011
Rocky Mountain Solo Pro RSL, 2011-2011
Rocky Mountain Team RSL, 2010-2010

Schwinn Paramount Comp, 2009-2009
Schwinn Paramount Series 8 & 9, 2009-2009
Schwinn Peloton Pro, 2008-2008
Schwinn Vestige, 2012-2012

Staiger Iowa Koolstof, 2008-2009
Staiger Ontario Koolstof, 2008-2009

Stevens Cyclocross 105, 2014-2016
Stevens Veldrijden Koolstof, 2007-2015

Stevens Haze, 2010-2010
Stevens Namen, 2014-2016
Stevens Sara, 2005-2010
Stevens SCF, 2005-2010
Stevens Scoop, 2010-2010
Stevens SLC SL, 2007-2009
Stevens SMC, 2007-2009
Stevens Strada 1000, 2007-2008

Wilier Izoard, 2012-2012
Wilier Izoard XP, 2012-2015
Wilier Martirolo

Winora Amazonas Koolstof, 2008-2008
Winora Yukon Koolstof, 2008-2010Β 

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SKU: 39131803363

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4.6 β˜…β˜…β˜…β˜…β˜…
Based on 5 reviews
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Product Reviews
M
Verified Purchase
MB
Dallas, US
β˜…β˜…β˜…β˜…β˜… 5
Hydrating
New fav. My teenager loves it
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2026
R
Verified Purchase
Ruth
San Leandro, US
β˜…β˜…β˜…β˜…β˜… 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
L
Verified Purchase
Lana
Bozeman, US
β˜…β˜…β˜…β˜…β˜… 5
Good
Good
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 22, 2026
D
Verified Purchase
dra
Los Angeles, US
β˜…β˜…β˜…β˜…β˜… 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2014
J
Verified Purchase
J. H. Haley
Pawtucket, US
β˜…β˜…β˜…β˜…β˜… 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2007

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