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Bo Street Runners: Exile On Bo Street: The 1964-1969 Recordings - VINYL LPTitle: Exile On Bo Street: The 1964 1969 Recordings Artist: Bo Street Runners Label: Munster Records Product Type: VINYL LP UPC: 8435008836511 Genre: Rock Release Date: 2017 12 01 Number of Discs: 1 John Dominic and Gary Thomas formed the R&B group The Roadrunners in 1963. They developed a line up that also included Dick Connor on bass (replaced by Dave Cameron), Bob O'Brien on keyboards, and Nigel "Hutch" Hutchinson on drums. They soon changed their
Title: Exile On Bo Street: The 1964-1969 RecordingsArtist: Bo Street Runners
Label: Munster Records
Product Type: VINYL LP
UPC: 8435008836511
Genre: Rock
Release Date: 2017-12-01
Number of Discs: 1
John Dominic and Gary Thomas formed the R&B group The Roadrunners in 1963. They developed a line-up that also included Dick Connor on bass (replaced by Dave Cameron), Bob O'Brien on keyboards, and Nigel "Hutch" Hutchinson on drums. They soon changed their name, taking the name of London's first police force, the Bow Street Runners, and giving it a Bo Diddley twist - hence: the Bo Street Runners. In 1964, the group recorded a four-song EP issued on the Oak label. The band entered in Ready Steady Win, a beat group competition organized by the producers of the Ready Steady Go! TV show. The group won the competition and received an array of prizes, including musical instruments, booking agency and publishing contracts, and a Decca record deal. Decca released the group's debut single. Soon, Bob O'Brien and Hutch Hutchinson dropped out, and Roy "Fingers" Fry and Glyn Helson Thomas stepped in. They also added sax player Dave Quincy. The group moved to Columbia for their next 45. Produced by Mickie Most, the disc paired two James Brown numbers. The single flopped and Quincy, Fry, and Thomas exited in rapid succession. Tim Hinkley became the band's new organist, and shortly afterwards they located a new drummer, a teenage beanpole by the name of Mick Fleetwood, who had been playing with The Cheynes. "Baby Never Say Goodbye", their first single under this line-up was released in June 1965. It got a lot of pirate radio airplay but was doomed by a pressing plant strike. Fleetwood returned to The Cheynes, soon replaced by Alan Turner. Singer John Dominic also decided to quit, soon to be replaced by the talented Mike Patto. Patto also brought along a new drummer, Barry Wilson. This line-up recorded what would be the Bo Street Runners' final single in 1966. The Beatles' "Drive My Car" was a good fit for the group's sound, backed with the mellow "So Very Woman". In October of 1966, the group disbanded. Mike Patto's storied career included stints with Timebox, Spooky Tooth, and Boxer before dying in 1979. Tim Hinkley played with prog rockers Jody Grind, and of course their one-time drummer Mick Fleetwood became a superstar. Exile On Bo Street celebrates the band's early years and the 1964-66 heyday of British R&B heroes the Bo Street Runners.
Tracks:
1.1 Love to You
1.2 Lonely Avenue
1.3 Bo Street Runner
1.4 Shame, Shame, Shame
1.5 Bo Street Runner
1.6 Tell Me
1.7 Tell Me What You're Gonna Do
1.8 And I Do Just What I Want
1.9 Baby Never Say Goodbye
1.10 Get Out of My Way
1.11 Drive My Car
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★★★★★ 5
Buy. Read. ReRead. Yesterday.
Format: Hardcover
Must buy. Must read. 10/10
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Reviewed in the United States on March 10, 2026
★★★★★ 5
Electrifying
Format: Kindle
Talia Bhatt’s Trans/Rad/Fem is a powerful and thought-provoking collection of essays that delves deep into the intersection of radical feminism and trans liberation. This book challenges the idea that trans and radical feminism are at odds, instead arguing that transfeminism is a natural extension of radical feminist thought. Bhatt’s sharp, compelling writing makes the case that a materialist, radical transfeminism is key to dismantling the oppressive structures of patriarchy.
What makes Trans/Rad/Fem such a captivating read is the way Bhatt blends academic analysis with personal narrative. Her essays are intellectually rigorous, yet accessible and relatable, striking a perfect balance between theory and lived experience. The electrifying prose has the profound impact of books like Stone Butch Blues.
There’s something incredibly powerful in the way Bhatt’s words cut through, offering fresh perspectives on issues that often feel tangled or misunderstood. The essays feel like a conversation with someone who’s been thinking deeply about these subjects for a long time, offering not just insight but a vision for a different, more inclusive future. Some readers have noted that familiarity with radical feminist theory will enhance the experience, but even for newcomers, the book offers eye-opening and challenging ideas.
Trans/Rad/Fem has clearly made a mark. Bhatt’s ability to engage readers while encouraging critical thought is part of what makes this collection so important. Whether you’re a seasoned feminist theorist or someone looking to understand more about the intersections of gender and social justice, this book is an essential read.
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Reviewed in the United States on February 13, 2025
★★★★★ 5
this is the book you’re looking for
Format: Paperback
I’d just finished reading Jules Gil-Peterson’s A Short History and felt a little unsatisfied and uncomfortable with all the orientialism. I picked this up and was immediately sure I had the antidote.
Bhatt is clear, direct, and uncompromising. She avoids filler and gets right to the heart of things—“how is this not like blackface?” gets dealt with more thoroughly and decisively than I have ever seen it within the first few pages. She reveals the transmisogyny lurking in even nominally queer social and intellectual movements, and also finds pockets of beautiful solidarity and common ground in some surprising places. Above all, her love for women shines through every word.
This book cleared up some misconceptions I had, made me cry, and will make me a better partner and comrade to trans women. Buy it.
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Reviewed in the United States on August 4, 2025
★★★★★ 5
Excellent essays in a brilliant book
Format: Paperback
This is a really excellent book. A lot of anthologies of essays have great essays in them, as this one does, but not all of them work as well as a cohesive text as Trans/ Rad/Fem does. I'd recommend this for anyone interested in transfeminism, even if you'd already read individual essays from Bhatt's newsletter by the same name. As with the essays in their newsletter format, The Third Sex and The Questions Has an Answer were my favorite. Bhatt's writing has such force and clarity that I look forward to reading whatever she chooses to write about next.
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Reviewed in the United States on February 25, 2025
★★★★★ 5
Absolutely brilliant
Format: Kindle
An absolute tour de force reckoning with decades of feminist scholarship and theorizing about trans feminine bodies and motivations. Succinctly and pithily describes the hegemonic culture’s understanding of transsexual women and demands an accounting from the hegemony’s enablers on their treatment of all marginalized queer and especially trans people.
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Reviewed in the United States on February 14, 2025