German Opaline Vase Diana Goddess 19-20th Century - Handled Etched Glass
SKU: 37988240369

German Opaline Vase Diana Goddess 19-20th Century - Handled Etched Glass

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Description

German Opaline Vase Diana Goddess 19-20th Century - Handled Etched GlassA Delicate and Rare German 19 20th Century Handled Opaline Vase Featuring the Goddess Diana An exceptional and museum quality German opaline glass vase featuring exquisite etched decoration depicting the goddess Diana. This delicate handled vase, dating from the late 19th or early 20th century, exemplifies the sophisticated glass making traditions of German manufacturers during this golden age of decorative arts. The opaline glass's characteristic

A Delicate and Rare German 19/20th Century Handled Opaline Vase Featuring the Goddess Diana

An exceptional and museum-quality German opaline glass vase featuring exquisite etched decoration depicting the goddess Diana. This delicate handled vase, dating from the late 19th or early 20th century, exemplifies the sophisticated glass-making traditions of German manufacturers during this golden age of decorative arts. The opaline glass's characteristic translucent milky appearance provides perfect canvas for the etched Diana decoration, while the elegant handle adds both functional and aesthetic interest. In excellent condition, this rare vase represents an exceptional acquisition opportunity for collectors of German glass, opaline ware, mythological subjects, or those seeking distinctive decorative objects combining technical mastery with classical beauty.

German Glass-Making - Historical Excellence

German glass-making traditions extend back centuries, with regions like Bohemia, Bavaria, and Thuringia producing glass of exceptional quality and beauty. The late 19th and early 20th centuries represented a golden age for German decorative glass, with manufacturers creating works combining traditional techniques with contemporary aesthetics. German glass from this period is renowned for technical excellence, artistic sophistication, and the integration of historical revival styles with modern innovation. Works by German glass houses are collected internationally and represent important chapters in decorative arts history.

19th/20th Century Dating - Transitional Period

The dating to the late 19th or early 20th century places this vase during a fascinating transitional period in decorative arts. This era saw the continuation of Victorian aesthetic traditions alongside the emergence of Art Nouveau and early modernism. German glass manufacturers during this period produced works that synthesized historical references with contemporary design sensibilities, creating pieces that honored tradition while embracing innovation. Glass from this transitional period documents evolving tastes and the extraordinary technical capabilities of period manufacturers.

Opaline Glass - Distinctive Material

Opaline glass represents one of the most distinctive and prized types of decorative glass. Characterized by its translucent, milky appearance (ranging from white to various pastel colors), opaline glass achieves its characteristic look through the addition of bone ash or other opacifiers to the glass batch. The resulting material possesses ethereal beauty, catching and diffusing light in ways that clear glass cannot. Opaline glass was particularly popular during the 19th century, appearing in French, Bohemian, and German production. The material's delicate appearance and technical demands make opaline pieces particularly valued by collectors.

Diana - Classical Mythology

The vase's decoration featuring Diana (Roman goddess of the hunt, moon, and nature, equivalent to Greek Artemis) connects to centuries of artistic tradition depicting classical mythology. Diana appeared frequently in decorative arts, symbolizing independence, natural beauty, and connection to the wild. Her associations with hunting, the moon, and virginity made her popular subject for artistic representation. The choice of Diana for this vase's decoration demonstrates the period's sophisticated engagement with classical culture and the enduring appeal of mythological subjects in decorative arts.

Etched Decoration - Technical Artistry

The etched decoration demonstrates sophisticated glass decoration techniques. Acid-etching involves protecting areas of glass with resist materials, then exposing unprotected areas to hydrofluoric acid which creates frosted, matte surfaces. This technique allows for detailed imagery and subtle tonal variations. The Diana figure's execution through etching required skilled artisans who understood both artistic design and technical processes. The etching's quality and detail distinguish fine period glass from lesser examples. The decoration's preservation demonstrates quality execution and careful ownership.

Handled Form - Functional Beauty

The elegant handle adds both functional utility and aesthetic interest to the vase. Handles on decorative glass serve practical purposes - facilitating safe handling and pouring - while contributing to overall design. The handle's form, attachment points, and integration with the vase's overall design demonstrate sophisticated glass-making and design sensibilities. Applied handles require additional technical skill, as they must be attached while glass is workable and must withstand thermal stress during cooling. The handle's successful execution and preservation testify to quality craftsmanship.

Delicate Character - Refined Aesthetic

The description as delicate emphasizes the vase's refined aesthetic and the care required in its creation and preservation. Delicacy in glass work results from thin walls, elegant proportions, and refined decoration - all requiring exceptional skill to achieve. This delicate character distinguishes fine decorative glass from more utilitarian production. The vase's survival in excellent condition after 100-150 years demonstrates both quality construction and careful stewardship. Delicate glass pieces command premiums for their beauty and the technical skill their creation required.

Rare Status - Collectibility

The description as rare emphasizes this vase's scarcity and special status. Rarity dramatically enhances collectibility and investment value - rare pieces by quality manufacturers command significant premiums. The rarity may reflect limited production, the specific combination of opaline glass with Diana decoration, or simply survival and availability. For serious collectors, rare works offer opportunities to acquire pieces that few others can obtain, while rarity ensures strong appreciation potential as collectors compete for scarce examples.

Excellent Condition - Preservation

The excellent condition after 100-150 years represents remarkable preservation. For glass, condition is paramount - any chips, cracks, or damage significantly affect value. Excellent condition allows the opaline glass's beauty, the etched decoration's detail, and the overall design to be fully appreciated while maximizing aesthetic appeal and investment value. The preservation suggests careful ownership and appropriate handling throughout the vase's history. Detailed condition documentation available to serious collectors.

Display and Function

This vase serves beautifully for both functional use with flowers and display as pure decorative art. The opaline glass's translucent quality creates beautiful effects when backlit or positioned near windows. The Diana decoration adds narrative interest while the elegant form ensures the vase enhances any setting. Ideal display locations include vitrines, mantels, shelves, or anywhere the vase can be properly lit to reveal the opaline glass's beauty and the etched decoration's detail.

Investment Value and Collectibility

German opaline glass with etched mythological decoration represents solid investment opportunities. The combination of German origin, late 19th/early 20th century dating, opaline glass material, Diana subject, handled form, and excellent condition creates strong appeal among collectors of German glass, opaline ware, mythological subjects, and decorative arts. As authentic period pieces become scarcer and appreciation for German glass continues, quality examples show consistent market performance. The vase's rarity and delicate beauty enhance investment potential.

Cultural and Historical Significance

This vase embodies German glass-making excellence, the late 19th/early 20th century's sophisticated decorative arts, and the enduring appeal of classical mythology in decorative objects. It represents the technical virtuosity of German craftsmen and the period's ability to create works combining beauty, function, and cultural reference. The vase connects viewers to this remarkable period while demonstrating glass art's capacity to achieve effects of extraordinary delicacy and refinement.

Collecting Context

This vase appeals to collectors of German glass, opaline ware, etched glass, mythological subjects, handled vases, and those seeking rare decorative objects combining technical excellence with classical beauty. It would enhance private collections, corporate holdings, or serve as centerpiece in collections focused on German decorative arts or opaline glass.

Available for viewing by appointment at Artemisia Fine Arts & Antiques Ltd, Malta. We provide expert consultation, condition assessment, insurance valuation, and international shipping with specialized glass handlers. This German opaline vase represents an exceptional acquisition opportunity. Serious inquiries from qualified collectors welcome.

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SKU: 37988240369

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A M Wells
Charlottesville, US
★★★★★ 5
What is silence? Something of the sky in us.
Format: Paperback
Maybe the best poetry collection I've ever read. I rarely enjoy an entire collection. I usually like individual poems or even individual lines within a poem. Deaf Republic is a masterpiece. If I ever meet Ilya Kaminsky in real life, I might cry.
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Reviewed in the United States on July 23, 2023
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Allegra C.
Birmingham, US
★★★★★ 5
Worth the hype on NPR that led me here--I've found my new favorite book!
Format: Hardcover
As an Asian-American creative, I knew I'd love this when I first read a positive review for this online, and I was not disappointed once! The perspective is so unique--a Chinese girl in 1800s Georgia!--and the writing's mesmerizing. I wished this book could never end, and LOVED it for so many reasons: The quick version: -Have you ever read anything about Chinese-Americans living in the Reconstructionist South? Thought not. This book provides such a necessary historical lens into highly underrepresented people and untold stories--and does it with remarkable talent and grace. This alone is worth heavy consideration. -Jo is a protagonist you can't help admiring - she's witty, a nonconformist by circumstance and by choice, and unafraid of getting back a little (or a lot) at people who've done her wrong. -The narrative voice is unlike any I've ever seen before ("Mischief dangles from his smile") and there are great humorous moments. -Great pun one-liners here and there - even Yours Truly, who admits to hating puns, likes how they're done here. -A wonderful and dynamic supporting cast, including Jo's wry adoptive father, a socialite who reveals her cleverness with pepper, an enigmatic Southern Belle who becomes Jo's employer for the second time, and a stout-of-heart black boy that'll melt your cold dead heart. Also a very enthusiastic herding dog. -A climax that honestly almost moved me to tears from the poignancy, but also the deep symbolism of how Jo's actions come to stand for so, so much more in those several pages. -If you like to learn cool new words, you'll definitely learn a few by reading this. -On a personal note, I was ecstatic to find references to Chinese knotting and barley tea, which I've grown up with, but never encountered in print before. Stacey Lee isn't afraid to show how difficult it was to be Asian-American in post-Civil War Georgia: In the opening scene, Jo is fired from her job at a hat shop because of her ethnicity. Due to the Chinese Exclusion Act in effect at the time, Jo and her adoptive father are legally not US citizens and cannot even own land or rent; they're forced to live secretly as squatters in the basement of a family who prints a struggling local newspaper. We also see realistic depictions of other social issues, like the initial implementation of segregation laws (which confuses Jo and her father, as they're neither black nor white), the erecting of Confederate statues, calls for women's suffrage (as well as the emergence of modern bicycles) treated with derision by many women who think the idea foolish, and white suffragists rejecting black women who support their ideals. In all seriousness, get this book. If you have kids, get this for your kids. I rarely write book reviews, but I'm breaking the pattern because this novel is THAT good. Come for the incredibly unique historical perspective that's surely the first of its kind ever published and shines a spotlight on sorely underwritten stories. Stay for Jo's incredible strength, role model-ism, one-of-a-kind journey, and how her story reminds us all not just of the power of devastatingly clever puns, but the power that words give all of us in finding who we are and making the world a better place.
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Reviewed in the United States on September 25, 2019
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Jamie McQuiston
Chelsea, US
★★★★★ 4
"Luck rides a horse named Joy"
Format: Kindle
What a delightful book! I was constantly rooting for the protagonist, Jo. She grew up without a true mother or father but found guidance and love with a Chinese man named Old Gin. They both found work with an aristocratic family as servants, while living secretly in the basement of a printing company. It was there that Jo learned to read and write through listening to the family who owned the printing press upstairs. She discovers the paper they publish, The Focus is in trouble and decides to help them out by secretly writing a column under the name Miss Sweetie. An adventure begins and secrets are revealed, but Jo emerges as a local hero as a result. I loved the author's prose and they way she incorporated Chinese anecdotes. I laughed out loud and cried in equal measure. It is a story about overcoming the struggle of race and poverty, but also about love and fighting for what you believe in. I highly recommend if your in the mood for something uplifting to read.
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Reviewed in the United States on May 14, 2021
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Nicole @ Nicoles' Novel Reads
West Palm Beach, US
★★★★★ 5
Excellent historical novel during the Gilded Age
Format: Hardcover
During the late 1800's Jo Kuan lives with her stand-in father, Old Gin, in a basement. She works as a milliner's assistant until she is let go one day because her employer deems that she is too opinionated and makes customers uncomfortable. However, there is one customer, Mrs. Bell, who admires Jo's craftmanship making intricate knots, which happens to be the lady who resides in the same residence as Jo. However, Mrs. Bell doesn't know Jo and Old Gin take refuge below the residence. Jo is given the opportunity to write as Miss Sweetie for the Focus's advice column when she sends an anonymous letter to the Bells. Miss Sweetie creates a huge buzz in her community. Jo anonymously writes articles regarding societal norms during the Gilded Age time period. What a great opportunity for someone who is "too opinionated." While she works as a lady's maid at the Paynes household during the day, she moonlights as Miss Sweetie at night. Stacey Lee tells a wonderful and insightful story of what it means to be Asian in the South of the United States in the late 1800's. I am always delighted to read historical fiction with characters I can relate to. I often wonder how life was for Chinese-Americans in the past. There is hardly any information about the history of Chinese-Americans living in the United States and how life was for them. Lee is one of my favorite historical fiction novelists. Her characters are relatable and I love being transported to a different time period and a different location every time I pick up one of her books. I absolutely love the voice of Jo. She is sassy but she knows her place. Jo is an advocate of women's rights and equality for all races. Being of Chinese descent, she teeters in between Whites and Blacks. It's hard to find a place in society, especially since there are not many Asian people living in the United States at the time. Most Chinese in the States at the time are men working on the railroad. Jo is longing to know more information regarding her parents. Who is her birth father? Who is her birth mother? Why was she given up? Jo is fortunate to have Old Gin raise her. The twist at the end caught me off guard for sure. Although Jo may feel out of place, she has Old Gin as her family. I also enjoyed reading how Jo finds solace in Sweet Potato and she finds friendship with Noemi. Jo even has a complex relationship with Caroline Payne, who can be very cruel. The Downstairs Girl shows readers a glimpse of the Gilded Age and what is it like to live as an Asian American during that time period. Jo defies the stereotype of Asian women being docile and quiet. Not only does she defy the stereotype for Asian women but she defies the gender stereotype of being a lady. Jo is quite capable of doing what a man does and she is quite outspoken. From writing in a newspaper to horse racing, Jo can do anything!
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Reviewed in the United States on September 11, 2019
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G. R. Jack
Boise, US
★★★★★ 5
A story of someone who refuses to settle for less
Format: Hardcover
Stacey Lee takes you into a world you’re probably familiar with if you paid any attention in your U.S. History class and helps you see it in new ways. Most of us are familiar with the agonies of post reconstruction era South, but few stories shine a spotlight on the Chinese laborers who were shipped in by Southern plantation owners to replace emancipated slaves. This is the world seventeen-year-old Jo Kwan lives in. Much of Jo’s life is lived in secret. She can’t rent, let alone own, property, so she’s forced to live with her uncle in the basement of a white family who owns a failing newspaper. She can’t interact directly with the white patrons of the hat store because her boss says she makes the customers “uncomfortable.” She can’t even participate in the growing Suffrage movement because the women are only concerned with advancing the rights of white women. What’s a strong, opinionated girl to do? Start an advice column. She starts submitting columns to the paper under the pseudonym Miss Sweetie and immediately attracts attention, both good and bad, from Atlanta’s high society. Through the column, Jo finds her voice and an outlet to express views on her segregated and chauvinistic society. The more freedom she experiences, the more she wants and soon she is uncovering secrets of her past that threaten to ruin her. The Downstairs Girl never lets the reader forget how crushing life was for Chinese and Black Americans during this time, but the book isn’t a downer. Mostly this is due to Jo Kwan being such a spirited and sympathetic character. Her story is one of someone who refuses to settle for less and it’s fun watching her get the best of some of her antagonists. Lee’s writing is also witty and engaging, filled with the kind of southern colloquialisms that help transport the reader to this time and place.
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Reviewed in the United States on December 4, 2019

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