Chronograph Monopoussoir Sylvain Pinaud x Massena LAB
SKU: 18675994832

Chronograph Monopoussoir Sylvain Pinaud x Massena LAB

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Chronograph Monopoussoir Sylvain Pinaud x Massena LABWe are proud to announce our first collaboration with independent watchmaker Sylvain Pinaud, the Chronograph Monopoussoir Sylvain Pinaud x Massena LAB, a handcrafted monopusher chronograph, which is limited to only ten pieces. Years before his win at the 2022 GPHG (Grand Prix dHorlogerie de Genve), where he was awarded that years Horological Revelation Prize, Sylvain Pinaud crossed paths with William Massena at a collectors event in Geneva. Pinaud's

We are proud to announce our first collaboration with independent watchmaker Sylvain Pinaud, the Chronograph Monopoussoir Sylvain Pinaud x Massena LAB, a handcrafted monopusher chronograph, which is limited to only ten pieces.

Years before his win at the 2022 GPHG (Grand Prix d’Horlogerie de Genève), where he was awarded that year’s “Horological Revelation” Prize, Sylvain Pinaud crossed paths with William Massena at a collectors event in Geneva. Pinaud's avant-garde monopusher chronograph, cased in titanium, instantly caught Massena's imagination. 

Reflecting on their first meeting, Massena recalls:

"When I held Sylvain's chronograph, it was pure magic. Hearing Sylvain recount the timepiece’s origin story—and how he had crafted it to compete in the prestigious Meilleurs Ouvriers de France (MOF) competition—only sealed the deal.

If you live outside of France, you may not be familiar with the MOF, but inside France, it is famous. About every four years, a competition is held to honor the best of the nation’s craftspeople, or ouvriers, in French. Entrants compete in various categories ranging from the culinary arts to metal and stoneworking. When Sylvain won his MOF with his Chronograph Monopoussoir, it almost instantly elevated him to his place among today’s most talented and exciting independent watchmakers. His win at the GPHG in 2022 only cemented this position."

After seeing the watch in the metal, William asked Sylvain if he could place an order for himself but with a revised case design. What started as a personal commission turned into a professional project when many of Massena’s friends in the collector community expressed interest in acquiring a similar watch from Pinaud. The spark of collaboration ignited, and the Chronograph Monopoussoir Sylvain Pinaud x Massena LAB was born. From a personal muse to a shared project, Pinaud's ingenuity and Massena's vision coalesced into horological artistry.

Technical marvel meets aesthetic elegance in this timepiece, crafted almost entirely by hand in the atelier of Sylvain Pinaud in Sainte-Croix, Switzerland. The watch is powered by a hand-wound movement with a fully integrated, column-wheel chronograph with a horizontal clutch, which can be started; paused; and reset using a single pusher located discreetly at the crown. The movement’s integrated chronograph complication, hand-finished by the watchmaker himself, is left exposed on the dial side and is a delight to observe.

The dial, created by Comblémine SA—the dial manufacture owned by the renowned watchmaker Kari Voutilainen—is a fusion of modern design with vintage aesthetics inspired by maritime chronometers.

Sapphire windows on the sides of the titanium case, as well as a sapphire caseback, invite glances of the dial and of the movement from almost every angle—a glimpse into the careful labor and artistry which characterize a Sylvain Pinaud timepiece.

The watch is fitted with a strap by Jean Rousseau Paris in aged calfskin with a crocodile lining. 

The Chronograph Monopoussoir Sylvain Pinaud x Massena LAB is limited to ten pieces, with production limited to three pieces each year. Price: CHF 130,000.

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SKU: 18675994832

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Clare Quilty
Charlottesville, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
San Leandro, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
Battle Creek, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007
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Boise, US
★★★★★ 5
Whiter teeth with out the trays
Size: 3.8 Ounce (Pack of 1)
Love this toothpaste! My teeth are a lot whiter and brighter. Doesn’t leave a bad taste in my mouth. Highly recommend this product.
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Reviewed in the United States on May 24, 2026
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Keith J Murphy
Omaha, US
★★★★★ 5
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Reviewed in the United States on June 8, 2026

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