Ausflüge im Cloppenburger Land (CALVENDO Wandkalender 2027)
SKU: 91580133097

Ausflüge im Cloppenburger Land (CALVENDO Wandkalender 2027)

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Ausflüge im Cloppenburger Land (CALVENDO Wandkalender 2027)Zauberhafte Darstellungen im Aquarell Stil (Monatskalender, 14 Seiten) Das Cloppenburger Land ist eine idyllische und ruhige Urlaubsregion in Niedersachsen, die sich durch ihre malerische Landschaft und vielfltige Naturerlebnisse auszeichnet. Umgeben von weiten Wiesen, sanften Hgeln und zahlreichen Wldern bietet die Region ideale Bedingungen fr Erholungssuchende und Naturliebhaber. Das Cloppenburger Land ist der perfekte Ort fr alle, die Ruhe und

Zauberhafte Darstellungen im Aquarell-Stil (Monatskalender, 14 Seiten)

Das Cloppenburger Land ist eine idyllische und ruhige Urlaubsregion in Niedersachsen, die sich durch ihre malerische Landschaft und vielfältige Naturerlebnisse auszeichnet. Umgeben von weiten Wiesen, sanften Hügeln und zahlreichen Wäldern bietet die Region ideale Bedingungen für Erholungssuchende und Naturliebhaber. Das Cloppenburger Land ist der perfekte Ort für alle, die Ruhe und Natur fernab des hektischen Alltags suchen. Zahlreiche Rad- und Wanderwege führen durch die pittoresken Dörfer und bieten die Möglichkeit, die ländliche Kultur und Traditionen kennenzulernen. Einige der vielen Ausflugsmöglichkeiten werden hier im zarten Aquarell-Stil vorgestellt und entstanden mithilfe moderner Bildbearbeitung aus meinen Fotos.

Hochwertiger Kalender mit 12 wunderschönen Bildern. Unsere Umwelt liegt uns am Herzen. Daher vermeiden wir Überproduktion und somit deutliche Abfallmengen, da wir bedarfsgerecht in Einzelfertigung in Europa produzieren. Wir halten unsere Transportwege kurz und sorgen für eine klimabewusste Logistik.

14 Seiten bestehend aus 1 Cover | 12 Monatsseiten | 1 Indexseite

Abbildungen:
Januar: Thülsfelder Talsperre
Februar: Tier-und Freizeitpark Thüle
März: Stadtpark Friesoythe
April: Postgeschichtliches Museum Friesoythe
Mai: Museumsdorf Cloppenburg
Juni: Rathaus Cloppenburg
Juli: Großsteingräber bei Garen
August: Mühle Hermeling bei Liener
September: St. Katherina von Siena, Lindern
Oktober: Moor- und Fehnmuseum Elisabethfleeth
November: Schutenmühle bei Löningen
Dezember: Naturschutzgebiet Imkehörn bei Barßel

  • QUALITÄT - Hochwertiger Fotokalender mit 12 wunderschönen Motiven auf lichtbeständigem Bilderdruckpapier, robuste Spiralbindung mit Aufhängebügel (A5 mit Tischaufsteller).
  • NACHHALTIG - deutliche Abfallreduzierung durch bedarfsgerechte Einzelstückfertigung, Produktion in Europa und klimabewusste Logistik.
  • PERFEKTES GESCHENK – Kalender für Freunde und Familie, für Kinder und Erwachsene, jung und alt, zu Weihnachten, Geburtstag oder zwischendurch.
  • Zauberhafte Darstellungen im Aquarell-Stil von Autor(in): Claudia Kleemann
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SKU: 91580133097

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4.2 ★★★★★
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A
Verified Purchase
Amazon Customer
Cuba, US
★★★★★ 5
Five Stars
Format: Paperback
Why read Butler when we have Wittig?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 27, 2017
C
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CK
Birmingham, US
★★★★★ 5
Five Stars
Format: Paperback
Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
C
Verified Purchase
Chris Eldredge
Louisville, US
★★★★★ 5
Five Stars
Format: Paperback
excellent sevice
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Reviewed in the United States on June 23, 2015
L
Lee Hall
Omaha, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
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monsieurw1
Grantham, US
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013

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