Premium Textil-Leinwand Premium Textil-Leinwand 120 cm x 80 cm quer E-Bass - 5-Saiter
SKU: 40236285468

Premium Textil-Leinwand Premium Textil-Leinwand 120 cm x 80 cm quer E-Bass - 5-Saiter

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Premium Textil-Leinwand Premium Textil-Leinwand 120 cm x 80 cm quer E-Bass - 5-SaiterNahaufnahme vom Steg einer Bassgitarre Ein Motiv aus dem Posterbuch GITARREN Closeups Renate Bleicher: Der Blick auf einzelne Details erffnet eine vllig andere Sichtweise auf das Motiv. Nicht immer erschliet sich dem Betrachter sofort das abgebildete Objekt. Die CALVENDO High End Leinwnde zeichnen sich durch hohe Qualitt und Umweltfreundlichkeit aus. CALVENDO vertraut hier ausschlielich auf artido. de, einem namhaften Hersteller textiler Leinwnde. Die

Nahaufnahme vom Steg einer Bassgitarre

Ein Motiv aus dem Posterbuch GITARREN Closeups / Renate Bleicher: Der Blick auf einzelne Details eröffnet eine völlig andere Sichtweise auf das Motiv. Nicht immer erschließt sich dem Betrachter sofort das abgebildete Objekt.

Die CALVENDO High End-Leinwände zeichnen sich durch hohe Qualität und Umweltfreundlichkeit aus. CALVENDO vertraut hier ausschließlich auf artido.de, einem namhaften Hersteller textiler Leinwände. Die Fertigung erfolgt zu 100% in Deutschland. Dank eines komplexen Herstellungsprozesses entstehen bei der Produktion keine schädlichen chemischen Verbindungen oder Ausdünstungen. Die Schadstofffreiheit des bedruckten Stoffes ist durch Öko-Tex geprüft und zertifiziert. Für das Holz des Spannrahmens wird Material aus nachhaltigem Anbau bezogen.

Die CALVENDO High End-Leinwände zeichnen sich durch hohe Qualität und Umweltfreundlichkeit aus. Die Fertigung erfolgt zu 100% in Deutschland. Dank eines komplexen Herstellungsprozesses entstehen bei der Produktion keine schädlichen chemischen Verbindungen
oder Ausdünstungen. Die Schadstofffreiheit des bedruckten Stoffes ist durch Öko-Tex geprüft und zertifiziert. Für das Holz des Spannrahmens wird Material aus nachhaltigem Anbau bezogen.

  • PREMIUM-LINIE: HD Bildqualität auf Spezial-Leinwand. Besonders haltbarer Thermo-Sublimationsdruck auf fein gewebtem, stabilem Bedruckstoff.
  • QUALITÄT: Hochwertiger, brillanter, abriebfester, lichtbeständiger Kunstdruck mit stabilem Massivholz-Rahmen. Lieferung fertig aufgespannt in sicherer Versandverpackung.
  • ÖKO-TEX: Verwendung unbedenklicher umweltfreundlicher Rohstoffe, Holz aus nachhaltigem Anbau, 100% Made in Germany.
  • FÃœR ALLERGIKER GEEIGNET: Leinwanddruck ist wasserfest und kann feucht abgewischt werden, sehr geeignet für Staub-Allergiker.
  • DEKO: verwandelt Wohnzimmer, Schlafzimmer, Küche, Arbeitszimmer oder Kinderzimmer sowie Hotelzimmer, Büro- oder Praxisräume in ein persönliches Wohlfühlambiente.
  • Nahaufnahme vom Steg einer Bassgitarre von Autor(in): Renate Bleicher
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SKU: 40236285468

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4.7 ★★★★★
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Verified Purchase
Amazon Customer
West Palm Beach, US
★★★★★ 5
Five Stars
Format: Paperback
Why read Butler when we have Wittig?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 27, 2017
C
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CK
Omaha, US
★★★★★ 5
Five Stars
Format: Paperback
Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
C
Verified Purchase
Chris Eldredge
Alexandria, US
★★★★★ 5
Five Stars
Format: Paperback
excellent sevice
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 23, 2015
L
Lee Hall
Dallas, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
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monsieurw1
Lexington, US
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013

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